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It has been more than six months since I last posted on AmJam Eats. Sad but not so sad, because in that time I have been working hard editing an online magazine for Seven (publisher of Sainsbury’s Magazine etc). The online magazine is called The Artful Diner and from the moment I started working on launch content in June 2011, I was thrown 100% into a brave new digital world. I say brave new digital world because, as any journalist will tell you, the world of media is one of shifting sands. No-one has been certain where security lies, but I have been very lucky and excited to work in digital at a time when so much of the future for editorial will be determined by it.

Aaanyway, the purpose of this post was to give a little update on what I’ve been doing. The Artful Diner is made up of features, news, recipes, video, galleries etc and with very limited picture resources I have taken most of the photos on the site. I have also been writing non-stop since joining Seven and, to be perfectly honest, keeping up a second, much smaller, personal blog hasn’t been top of my priorities.

Much as I have enjoyed writing this blog, I have recently been bandying about a few ideas for something different and now have a NEW BLOG PROJECT underway. I must stress that this is entirely personal and not-for-profit. Hopefully, it will be something people will enjoy reading as much as I enjoy doing/writing it. I’m working on the premise and design at the moment and will be in touch soon.

It’s not ready yet, but WATCH THIS SPACE….!

Happy New Year and may 2012 bring you all you wish for.

Anna-Marie

Eggs is Eggs

Sure as eggs is eggs there are eggs and then there are EGGS. To illustrate the point I took a photo of my breakfast this morning (see the very obviously breakfast-like photo above – note the black spot is pepper). I generally try to avoid going down the whole route of this is what I ate for breakfast, lunch and dinner, because who, apart from me, cares? But, these are eggs from my parents’ farm and as I was eating them I couldn’t help marvelling at the colour and then I got thinking about the fraudulent business that is egg-selling in the vast majority of UK supermarkets.

When in London I try really hard to buy good eggs, because I think happy chickens make for tastier and more nutritious eggs. I also like to think the chicken has had a decent life and not been forced through its life at an unnatural rate with all the discomfort that entails. We are supposed to have come a long way in the UK from the days of simply accepting battery eggs, but why is it that no supermarket egg I’ve ever eaten shows this healthy almost luminous colour?

For a while I would only buy organic, but if I’m honest my parents’ hens aren’t always fed organic feed and I’m quite open to the idea that food can be very good without being organic (it’s just how you prove the standard that matters, but that’s a whole other debate). I then switched to Clarence Court eggs, partly because I like the lovely brown shells, but also because the yolks seemed more orange. I recently decided to stop buying them, because – and this is purely slanderous speculation – the yolks looked artificially coloured to me.

Real eggs and by that I mean eggs laid by chickens that get to scratch around pecking at bugs, grass, bits of this and that, SHOULD look the same colour as these. Of course at different times of year hens lay nicer and greater volumes of eggs, and in July there is a lot of lovely grub in the garden for them to peck at, but why can’t I find eggs like this anywhere else? If you happen to know of somewhere in London feel free to let me know.

Oh, and one more thing. It’s obviously not all about the colour, but also the flavour. It’s very hard to describe, but the taste of these eggs is something quite different from the norm – in a good way.

Egg-related rant over. For now.

I went home to Cornwall a few weeks ago, and was very excited to cook with my parents’ new potatoes. When we bought our farm in the mid-90s one of the first things they set about doing was planting an orchard, vegetable patch and fruit garden.

When I was little I loved digging potatoes with my dad. I always thought it would be a great idea to keep going and dig up the entire row, but, luckily, was never allowed. Of course, in September my dad will dig the lot up to store over winter.

Dad digging potatoes

The garden is always a source of inspiration for new dishes, whether using freshly podded peas, baby courgettes or plump blackcurrants. Recently, however, I was asked for tips on something I had never really considered worth much thought – potato salad.

Of course, using the freshest new potatoes you can find is always a good idea, but how many people reach for a jar of Hellman’s mayonnaise, without thinking about doing something different?

A bit of research revealed that a traditional potato salad contains some sharp element in its dressing, whether a dash of white wine vinegar, chopped capers or a squeeze of lemon.

New potatoes like Charlotte, which my parents grow, have a waxy texture, but also a sweet creaminess, which Nigel Slater describes as being slightly cloying. It is this sweetness that blends so well with a sharper element.

New potatoes: Charlottes

My article for Lovefood.com, How to make the perfect potato salad, contains other tips and recipes from Nigel Slater, Simon Hopkinson and the like. My favourite recipe at the moment comes courtesy of Delia Smith and Agnes Jekyll‘s book, A Little Dinner Before the Play.

Jekyll suggested whisking up a home-made mayonnaise, adding a little mustard and mixing with warm potatoes. She didn’t supply a recipe, so I used Delia Smith’s recipe, which you can find here. I let it down with a mixture of white wine vinegar (the sharp element) and water.

The resulting salad was definitely worth a go:

 

 

I always used to avoid roasting a chicken. I think it’s because so often I have eaten unpleasant dried-out meat; the result of getting the timing wrong or simply overcooking for fear of underdone chicken and food poisoning! A little dramatic though that sounds, no-one wants to eat pink chicken, and I know the rules have recently been revised for pork (for THAT debate read here), but raw chicken is a big no-no.

Then, about a year ago I picked up one of those Waitrose food newsletters that they hand out for free on weekends and came across Delia Smith’s recipe for roast chicken with riesling, grapes and tarragon. One look at that title might put you off for fear of it being, well, a bit of a faff, but the principles she uses have completely changed my roast chicken all for the better.

Basically, every time I roast a chicken I follow these rules and the resulting meat is very tender and juicy, the skin is very crisp and it’s very quick!

 

Delia starts off her recipe with the following:

Now that roasting chickens are generally smaller, the absolute best way to roast them is fast. If you’ve not tried this yet, you simply have to, because once you’ve tasted the crispy outside and the succulent juiciness inside, you’ll never roast a chicken any other way.

Feel free to forget the creme fraiche, tarragon, riesling and grapes she uses in her recipe, but DO:

  • Take the chicken out of the fridge to come to room temperature. This is an hour or half an hour on a hot day.
  • Snip off the strings and open up the chicken.
  • Pre-heat the oven well and to gas mark 8, 230 degrees C, making sure that you can place the chicken in the lower third.
  • Season the chicken and smother the skin with olive oil.
  • Chuck a splash of water or wine into the pan/over the chicken.
  • Do not open the oven door while the chicken is cooking.

The key bit is this: Delia gives a 1.35kg chicken one hour exactly. She says that a 1.76kg chicken will take an extra 10 minutes. To start with, I would roughly calculate how much more time to give a chicken that fell in the middle of those two weights. I have, however, found that on the whole they should be given an hour and no more. Of course, test it by sticking a skewer into the thickest part of the thigh then pressing down to make sure the juices run clear and that it is cooked.

Perfect chicken every time. Lately, we’ve been eating roast chicken with a salad of lettuce picked fresh from the garden along with buttered new potatoes and chicken juices spooned over (once the fat has been skimmed off).

Flavour variations:

One delicious but slightly decadent thing to do is make a cavity between the chicken skin and flesh and press in softened butter mixed with chopped tarragon or parsley. Slices of lemon and crushed garlic cloves are a nice addition stuffed into the cavity, and a halved onion in the pan will make for a tastier gravy.

 

It’s Sunday afternoon. Do I want to work or enjoy this?

I can’t take the credit for it, unfortunately; it’s my mum’s carrot cake with butter cream cheese frosting. Recipe to follow. The tricky bit with writing my mum’s recipes down is that she tends to bake instinctively, adding as much or as little of each ingredient as she feels right. It’s a method I don’t tend to copy, but I guess after decades of cooking for a family you learn that speed is of the essence!

Last weekend I bought Darina Allen’s Ballymaloe Cookery Course, and by that I don’t mean I shelled out £8,972 to complete the school’s famous 12 week certificate. I mean I bought the cook book. First published in 2001, a revised edition was later brought out in 2007 and that’s the one I picked up on a bit of a whim last Friday evening.

For a while now the name Ballymaloe has been dropped into conversation by foodie friends. The rise in popularity of TV cook Rachel Allen, Darina’s daughter-in-law, has of course also increased its profile, but the school has become almost revered in my mind and that of my food journalist friends. Having read the introduction to Darina’s book this weekend, I decided that the time had come to take the plunge and start saving to do the course. A quick check on Ballymaloe’s website, however, confirmed to me that at that price my plan would have to take a rain-check.

In the meantime I am setting myself the challenge of working through the book, which Nigel Slater promises is full of ‘lovely recipes and plenty of help for the new cook’. I wouldn’t describe myself as a new cook, but for years I have been meaning to work methodically through Delia’s Complete Cookery Course; the food ‘bible’ in my home when growing up.  Now it’s time to see how Darina measures up to Delia, and I’m quite interested to discover who wins out.

It makes sense to start at the beginning and what has struck me already is Darina’s way with words. I agree wholeheartedly with her food ethics and the way she explains them is certainly enviable. It can be hard to justify why good food matters, as ‘foodies’ are always at risk of being labelled ‘food snobs’. I just wanted to quote Darina here, because I think she puts her (my) case well:

It sounds extraordinary but in reality about 80 per cent of good food is about shopping, so the fundamental message we need to get across to our students is the importance of putting time and effort into sourcing good-quality ingredients. If one starts off with good, fresh, naturally-produced food in season, one needs to do so little to make it taste good.

Here’s to a summer of beautiful recipes courtesy of Darina and a bit of careful foraging.

I’m interrupting my latest discoveries series with a chocolate cake recipe. As far as I’m concerned, a brilliant chocolate cake makes a fantastic interruption to pretty much anything. This does also tie into my new discoveries because it is taken from a book in the Penguin Great Food Series. The book is A Little Dinner Before the Play by Agnes Jekyll, who is described by Bee Wilson in this weekend’s Guardian Review as a “very grand food writer of the early 1920s”.

I’ve enjoyed reading it because Jekyll’s little mini essays were published in The Times in the 1920s, and her writing is a window into the “high society” of that time. My day-to-day life now in London now doesn’t exactly call for her culinary advice on what to do “For Men Only”, “Country Friends to a Christmas Shopping Luncheon” or “Food for the Punctual and Unpunctual”, but actually there is a lot to be found in its pages that is both new and inspiring.

In the chapter called “Tea-Time and Some Cakes” I came across the recipe for Super-Chocolate Cake. Preceding it was a recipe for Brown Flour Biscuits and Jekyll introduced the pair by saying the first was for “the dyspeptic guest who never eats anything at tea”, while the chocolate cake was for “the robuster one who occasionally eats too much”! If only all recipe books were written like that. (NB Definition of dyspeptic: a person who suffers from indigestion or irritability.)

The recipe appealed to me because by far my best chocolate cake to date is an adaptation of a Mary Berry cake, in which the eggs are separated and whipped; there is only a small amount of flour, and ground almonds is a key ingredient. This combination has always made for a very rich, moist cake, but the super chocolate cake recipe seemed to take that one step further with double the number of eggs and ground almonds, and more chocolate. Having made it, I can say this is a very light chocolate cake and well-worth making. The mixture before it goes into the tin (below) has a real chocolate mousse-like texture because it is so full of air.

The biggest challenges were that she didn’t make it clear exactly when the eggs should be added or give a cooking time.  She also recommended baking in a “slack” oven! I went for Gas Mark 4 and that seemed to work.

Ingredients:

1/2 lb butter at room temperature
7 eggs, separated
1/2 lb dark chocolate
1 tsp vanilla essence
3oz flour
1/2 lb sugar (add a tablespoon extra if you have a sweet tooth)
4oz ground almonds
1 tsp baking powder
drop of cherry liqueur (Maraschino or Kirsch)

Grease and line a 20cm springform cake tin and pre-heat the oven to Gas Mark 4

Make a bain marie of a pan barely simmering water with a heatproof dish set in the top. Make sure the water doesn’t touch the dish and that it sits comfortably – you don’t want steam in the melting chocolate. Break the chocolate into chunks and add to the dish, keeping an eye on the water, so the chocolate doesn’t burn. [Of course another option is the microwave.] Using electric beaters whisk up the softened butter to a pale, fluffy cream.

Beat the egg whites to soft peaks. (Use a clean bowl and beaters, as you don’t want any fat to come into contact with the whites, or they won’t rise properly. Likewise, separate the eggs into a cup first because you don’t want any egg yolk in there.) Then beat the egg yolks for as long as you can. See consistencies below:

By now the chocolate should have melted. Let it cool a little before beating into the butter.

Beat together along with the vanilla essence. Then, sift in the flour, sugar, baking powder and ground almonds. Sift gently and from height to get plenty of air into the mixture. Fold together with a metal spoon and spoon into the cake tin.

Bake in the pre-heated oven for 45 minutes if you want a slightly damp, brownie-like consistency in the middle or 1 hour if you want it to be completely risen.

Melt whatever is left of your chocolate along with some maraschino and ground nut oil to make a smooth, shiny icing for the top.

Here is the original recipe for reference:

Half a pound fresh butter beaten to a cream, 7 eggs (yolks and whites beaten separately, and the whites stirred in the last thing), 1/2 lb. best vanilla chocolate grated and heated in oven, then beaten up in the butter with 3oz dried flour, 1/2 lb. sifted sugar, 4 oz. ground almonds, 1 teaspoonful of sal volatile. Bake in a slack oven, then ice with thin soft icing flavoured with maraschino. If ingredients are thoroughly beaten up it will be very light.”

That last piece of advice I found to be very true. Not quite so useful, perhaps, is her next bit:

“Lest this last calls for a reproach from the thrifty , here is a nice useful cake suited to the Rector’s 5 o’clock call, or the ladies of the local political organisation in conclave, and good for the office luncheon tin or the fisherman’s basket next day.”!!

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